He’s always been a kind of guidepost, to try and help set the tone of the movie, capture the spirit of it. “It’s the way you feel about certain people, people you just relate to. “It’s a certain fit of sensibilities,” Burton told Variety about Elfman in 2006. Beetlejuice (1988) PG 92 min Comedy, Fantasy 7.5 Rate 70 Metascore The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out. But he’s never going to hit me with ‘logic.’ If there’s one thing that’s a music destroyer, it’s logic: too thought-out, too intellectual, about what it should or shouldn’t be doing.” Tip Sheet Well-acted, thought-provoking, and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary. “The thing that I like most about working with Tim is that all of his responses to my music are visceral,” notes Elfman. The concert showcases the wide range of music in Burton’s films, from the wacky “Mars Attacks!” to the wildly percussive “Planet of the Apes,” the eerie Gothic quality of “Sleepy Hollow” and the warmth and emotion of “Frankenweenie.” Elfman himself performed in more than 30 of the concerts, including London, New York, L.A., and Tokyo. The show has played more than 50 venues from London to Tokyo to Paris over the past three years, combining imagery from the films, Burton’s original drawings, and Elfman’s alternately touching and manic music. “I went from the comedy guy (‘Pee-wee’) to the oddball quirky guy (‘Beetlejuice’) to the big dark film guy (‘Batman’) to the melodic romantic guy (‘Scissorhands’).” Batman v Superman: Dawn of Justice (2016) Warner Bros. If only he could find his way back to his wild bread-crumb trail, the one that guided him so ably for years.Elfman is up for an Emmy for music direction on the PBS telecast of “Danny Elfman’s Music From the Films of Tim Burton,” a two-hour “Live From Lincoln Center” concert that features a 90-piece orchestra and 50-voice choir performing suites and themes from many of the films. The likes of Tim Burton and Michael Keatons take on the superhero, as well as Christopher Nolan. Miss Peregrine’s Home for Peculiar Children could have been a return to form for Burton, but he loses his sense of direction halfway through. The picture’s elegance devolves into chaos, a mess of noisy, cluttered action sequences, as if Burton didn’t trust us to sit still through something quieter, moodier and more controlled. And he’s alive to the charms of his performers, including the gangly, winsome Asa Butterfield (best known for Martin Scorsese‘s Hugo) and the young English actor Ella Purnell, as a lighter-than-air miss kept earthbound only by her strappy lead shoes.īut what’s happened to Burton’s gift for storytelling? In the movie’s second half, it’s impossible to follow the story’s gnarled-vine logic. It’s far less garish than some of his recent monstrosities, like Alice in Wonderland and Dark Shadows. Miss Peregrine’s Home for Peculiar Children-a mystical fantasy in which a pipe-smoking headmistress, played by the always alluring Eva Green, cares for a group of specially “gifted” children who survive eternally by reliving a single day in 1943–is in many ways the perfect repository for Burton’s own gloriously peculiar gifts.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |